Art achieves a kind of double reflection. It returns thanks to God, using his creation to fashion something new; at the same time, it reflects the glory and order of creation back to man, providing moments of epiphany. Art when properly made restores a proper awe before creation; although manmade, it directs our gaze back [...]
The love of beauty as such is one of the things that can attract men to the God who is infinitely beautiful. But is it the case that we ought to pursue beauty only to the extent that it is joined to some function? A previous essay of mine published in this journal made passing reference [...]
Unless we conservatives make an effort to engage in a sustained and regular way with all legitimate developments of the artistic tradition, we will contribute not to the preservation of the tradition but to its ossification into a relic of the past, admired by an increasingly marginalized subculture. Ask a conservative why conservatives tend to [...]
As we think about the problems of modernity, let us recognize what the great mid-20th-century artists and thinkers achieved and immerse ourselves in their works. While it is a good thing to react against modern times with the conscience of a conservative, let us do so fully aware of our roots in this most modern [...]
I gaze out the window for a few moments, and in that delicious solitude it dawns on me why I dislike museums. The collections are cold and clinical. They have restored and displayed the treasures as a mortician embalms and prepares the corpse for a viewing. The holy pictures have been plucked from their ecclesiastical [...]
John Dryden was, for the most part, a man of quiet temperament; yet he presided over a literary revolution. As a poet and critic he destroyed the principal seventeenth-century literary modes and created the style and the methods that would characterize the eighteenth. The rise in John Dryden’s reputation, commencing a generation or so ago, [...]
The Florentine Pieta was not commissioned. Instead, Michelangelo intended it for his own tomb. He worked on the sculpture in his spare time, late into the night with a candle fixed to his hat for light. The Museo dell’Opera del Duomo is an unmissable new sight in a visit to Florence. Designed by American art [...]
At a time when intellectual Europeans scoffed at the very possibility of America producing art or beauty, the Hudson School created an outpouring of beauty worthy of any country. It was an aesthetic uniquely American, based on hope in a bountiful land blessed by Providence but also aware that our world below is dark without [...]
Beauty is found in art when there is connectedness to something beyond novelty and originality. This connectedness must exist between the artist and the source of what inspires the particular medium of art. Art, like morality, consists of drawing the line somewhere.[1] Even in literature and art, no man who bothers about originality will ever [...]
We did not discard most of the image of reality from the Middle Ages. The lovely whole image was smashed like stained glass under the hammer of zealots, but later people recovered fragments and used them to create the world in which we live. C.S. Lewis wrote a book of profound scholarship, The Discarded Image, [...]
In the “David,” we see what Christian humanism can accomplish, and in contemplating the gigantic little boy we can remember that God always uses the little things of the world to confound the mighty. Last week I was in Florence, and while jostling with other sightseers to get a glimpse of Michelangelo’s David, I recalled [...]
“No sacred art can come from an isolated subjectivity,” Benedict states. Ultimately the beautiful is inseparable from the good and the true. If we will not have virtue and verity, caritas and claritas, we will not have beauty either. In his masterful book, The Spirit of the Liturgy, Pope Benedict XVI defended the beauty and [...]
It would be wrong to compare the Mass too closely to a stage production, but in a traditional celebration of Mass there is what I call a “compendium of culture”: a combination of art, architecture, literature, logic, rhetoric, drama, poetry, metalwork, textile art, and woodwork. Why does this matter? It matters because matter matters. The [...]
Through their art, Romantic painters sought to restore the sacramental bond between the heavenly and the human. And among these artists, none was more focused on the lost liturgy of Western culture as Caspar David Friedrich, whose paintings—almost exclusively concerned with the subject of landscapes—at first glance seem to have little or nothing to do [...]