It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.
It was the year of Our Lord one thousand seven hundred and seventy-five.
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We hope you will join us in The Imaginative Conservative community. The Imaginative Conservative is an online journal for those who seek the True, the Good, and the Beautiful. We address culture, liberal learning, politics, political economy, literature, the arts and the American Republic in the tradition of Russell Kirk, T.S. Eliot, Edmund Burke, Irving Babbitt, Wilhelm Roepke, Robert Nisbet, Richard Weaver, M.E. Bradford, Eric Voegelin, Christopher Dawson, Paul Elmer More, and other leaders of Imaginative Conservatism. Some conservatives may look at the state of Western culture and the American Republic and see a huge dark cloud which seems ready to unleash a storm that may well wash away what we most treasure of our inherited ways. Others focus on the silver lining which may be found in the next generation of traditional conservatives who have been inspired by Dr. Kirk and his like. We hope that The Imaginative Conservative answers T.S. Eliot’s call to “redeem the time, redeem the dream.” The Imaginative Conservative offers to our families, our communities, and the Republic, a conservatism of hope, grace, charity, gratitude, and prayer.
The featured image is a still from the American film A Tale of Two Cities (1911), directed by William Humphrey and starring Maurice Costello and Florence Turner. Still published in David S. Hulfish, Cyclopedia of Motion-Picture Work (1914). It is in the public domain, courtesy of Wikimedia Commons.