Music and rhythm find their way into the secret places of the soul. –Plato Music transcends the classroom, the concert stage, and professional recordings. It pervades life. Mankind has long used music in all sorts of ways, to celebrate, to lament, to dance, to pray, to soothe or arouse, to woo, to infuse courage and [...]
It was love at first sight—or hearing—for me with Josef Suk’s Scherzo fantastique, a lively 15-minute composition that bears a stylistic resemblance to my other faves, Khachaturian’s Masquerade waltz and Saint Saëns’ Danse Macabre, not to mention elements from Dukas’ The Sorcerer’s Apprentice, which I wrote about HERE. But only when I started delving deeper into research for an essay on Scherzo fantastique (note: [...]
J.R.R. Tolkien wrote that he "ever loved that noble northern spirit," rooted in the myths and culture of Scandinavia, Germany and England, "and tried to present in its true light.” Indeed, he raised the noble north to the level of Athens and Rome, creating, in "The Lord of the Rings," an epic that stands alongside [...]
Franz Joseph Haydn composed the Mass in Time of War, his tenth setting of the Roman Catholic Mass in 1796, in the city of Eisenstadt, Austria, where he was the composer-in-residence-for Prince Esterhazy. At the time of its writing in August and its premier in December, French Revolutionary were winning victories in Italy and Germany [...]
The mid-twentieth-century opera, “The Trial at Rouen,” tells the story of the final days of St. Joan of Arc, her imprisonment, and trial for heresy. Composer Norman Dello Joio employs themes of conscience, belief, and spiritual motivation; he makes us think about the consequences of institutional corruption and the power of individuals to rise above [...]
Rest in peace, Michael Tilson Thomas. From those of us in the San Francisco Bay Area (and well beyond) who so enjoyed your years as music director, conductor, and the glorious face of the San Francisco Symphony, know that you will never be forgotten. I hate deaths. At the risk of stating the obvious, they [...]
The “Seven Last Words of Christ” can seen as the verbal expression of an interior reality: namely, the mind of Christ, as formed according to a deeply ingrained, habitual life practice of living mindfully according to the Lord’s Prayer. Holy Week is an especially fruitful time for prayerful meditation. There are many liturgical events at [...]
My own continued admiration of Gerald Finzi’s majestic and moving anthem, "Lo, The Full, Final Sacrifice," lies not only in the masterful blend of music and words, but also in the confluence of so many personal memories that touch and move me. Sometimes a piece of music or art brings different aspects of one’s life [...]
Beethoven wrote "Adelaide," a song for solo voice and piano, between 1794 and 1796, when he was in his mid-twenties. The text of the song is a poem in German by Friedrich von Matthisson, to whom Beethoven dedicated the work and to whom he wrote after its completion: "My most ardent wish will be fulfilled [...]
It seems we can all use a little extra cheer in life these days, so what fun to get other people interested in and excited about Clara Wieck Schumann: child prodigy, piano virtuoso, mother of eight, wife and partner to the better-known Robert Schumann. The only reason I chanced upon Clara Schumann’s compositions was a [...]
“Strong art destabilizes the self,” a reader commented on my recent essay, “that’s its job.” Really? On the contrary, great art edifies. It engages the isolated and alienated self with goodness, truth, and beauty. It moves us beyond the confusion of the unstable self towards the true stability found in the fusion of sanity and [...]
The popularity of Vivaldi’s “Four Seasons” has paradoxically led us to underestimate the Venetian’s true greatness. Once renowned across Europe, by the early twentieth century Vivaldi was considered a minor composer. Then, several events occurred to re-awaken interest in the music of “The Red Priest.” Inevitably, when one hears the name of Antonio Vivaldi, one [...]
By 1741, George Frideric Handel had fallen deeply into debt, and was even threatened with debtors’ prison. Instead, he departed to Ireland for a sabbatical, where he wrote his "Messiah" in just twenty-four days. While Handel’s Messiah is, for many, an annual Advent spectacle, in the Classical Girl household, the 1741 oratorio gets pulled out during [...]
“Should not church music be mostly for the heart?” —Joseph Martin Kraus The Roman Catholic Mass for the Dead—the Requiem, sometimes called Missa pro Defunctis (or Defuncto) or Messe des Morts—is surely the most dramatic of liturgical forms and has inspired countless composers, from medieval times to the present. What the Czech composer Antonin Dvořák, a devout [...]