Film

Using Classic Movies to Win the Culture Wars

The imagination must be won back. This is Dr. Onalee McGraw’s aim, and she fights with the finest of the films made in our own nation, by Hollywood itself, and sometimes even by corrupt men and women... “You...

The Death of Europe: Two Classic Films and the Great War

So incisive and troubling did the Nazis find Jean Renoir’s indictment of war and his embrace of the shared culture of Europe, that when the Wehrmacht invaded France and occupied Paris in the spring of 1940, Renoir's film La Grande Illusion was among the first cultural artifacts Nazi officials confiscated...

Russell Kirk’s Ghostly Tales: Horror and Eternity

Russell Kirk’s horror stories are fundamentally conservative, insinuating a chain of being that connects the living and the dead, reminding us of our duty and obligations to the past. They challenge us by piercing our day-to-day sense of the temporal with bright flashes of eternal order. And...

Our Own American Genocide: “Gosnell,” the Movie

While Gosnell tells the true story of a squalid, back-street abortion mill, we are also reminded by the film that the majority of baby murders are committed legally by nice, middle-class people who are well-connected, well-off, well-educated, well-spoken, and well-funded...

The Coen Brothers’ “True Grit”: Little Girls, Outrageous Outcasts, & Romantic Fools

The Coen brothers' heroes in True Grit are wacky anti-heroes, representing the common man against the establishment elite, the ordinary man in the face of outlandish wickedness. As such, they inspire every outsider who longs for greatness, every outcast who has a heart of genius, and every romantic fool who loves beauty,...

Alfred Hitchcock’s “The 39 Steps”: A Coded Message?

The 39 Steps is one of five films that Alfred Hitchcock made in England about espionage in the mid-to-late 1930s. These films capture the growing threat felt in Britain from foreign powers. In their scenarios the nation's security was nowhere more threatened than by spies hiding in plain sight...

Mel Gibson, “Hacksaw Ridge,” & the Real Hollywood Counter-Culture

In Hacksaw Ridge, Mel Gibson continues to present an alternative world-view to filmgoers. It is one at odds with almost all that emanates from Hollywood, but, nevertheless, is one that finds a welcome reception in the real world, where family and marriage, patriotism and courage, faith and...

“The Human Condition”: A Tale of the Suffering Servant

The Human Condition, directed by Masaki Kobayashi, is more than a mere movie. It is certainly not entertainment. It is an experience in which the viewer participates. It is not an easy movie to watch. The suffering Christ is encountered at every turn...

Putin and Solzhenitsyn

The recent film, The Death of Stalin, should be shown to all those millions of millennials in the United States who still harbor romantic delusions about communism. According to the findings of a poll, as...

The Wages of Sin: Jean-Pierre Melville’s Doomed Universe

In Jean-Pierre Melville's Le Doulos, it is as if there is an existential darkness present throughout. In this world, no matter how cunning the schemes or how fail-safe the get-away plans are, for all concerned there is a retribution coming. In Melville’s cinematic universe the wages of sin are...

Black & White, But Gray All Over: Two Films by Graham Greene

Graham Greene’s morality tales are complex, subtle, and intricate. They horrify us not only in the puzzle of solving the crime, but in the more profound puzzle of good and evil, death and damnation, life and love, sin and salvation...

“Grizzly Man”: Longing for Eden

The human and animal worlds are distinct, and relations between them are as much affected by Original Sin as all else in the universe. No amount of wishful thinking, no matter how well-intentioned or deluded, is going to change this...

When “Civilization” Became a Bad Word

The very word “civilization” is now politically charged, implying as it does hierarchies of achievement and value judgments. That someone would say that our culture is better than any other, or that some other culture is deficient in some way, is the kind of thing that causes fainting...

Movies, Myth, and History

What shall we make of filmmakers who twist history for propaganda purposes? In an extreme way, they are doing what all historians do: They are not only recording history, they are also interpreting it—and can history be done without interpreting the facts?...