They’re all around us No one will look you in the eye You don’t know who to trust I’m looking around me And don’t like what I see Corruption all around me cause these, These are the signs of the times — “Sign of the Times,” Cro-Mags Background [...]
Among Theodor Kittelsen’s more popular illustrations are the ones that present a depressing portrait of Norway circa 1349—the year the bubonic plague came to the country. Kittlesen represents the Black Death as a gnomish, old hag who travels from one barren landscape to another. In her wake, nothing remains. “Echo” Charles Nodier, the [...]
In a large part of the Western mindset, Russian culture only really existed in the nineteenth century. Before Vladimir Putin’s kleptocracy and before the horrific purges of the Soviets, Russia was, we are led to believe, a somewhat backwards land that nevertheless managed to produce great works of art. Undoubtably, Russia in the nineteenth century [...]
Julias Evola’s Passport Photo, 1940 Defining “Right-wing” is not an easy task. While Russell Kirk’s definition of conservatism is the rejection of ideology (which is materialist and, as Bradley J. Birzer puts it in “Russell Kirk on the Errors of Ideology,” falsely “promises mankind an earthly paradise”), the basic and general catch-all of [...]
Ronald Knox, like his fellow Englishman G.K. Chesterton, was both a Roman Catholic and a detective fiction writer. Originally, it was Chesterton’s writing that lead Knox, a former Anglican priest at Trinity College, Oxford, towards converting to Catholicism. When Knox converted in 1917, Chesterton was still the Anglican son of a somewhat apathetic Unitarian family. [...]
In many ways, Korngold’s opera “The Dead City” is one of the last gasps of Old Vienna and Old Austria. In its wake came competing national identities, communism, socialism, and, most potently, fascism. When Die tote Stadt (The Dead City) debuted in December 1920, Erich Wolfgang Korngold was only 23. Mahler called him a genius [...]
Make no bones about: Gustav Holst’s “The Planets” is conservative because of its deep appreciation for the sublime and the beautiful. Better yet, its conservatism can be found in its holistic and ordered approach to human emotions, as well as its unbridled love for mystery and transcendent revelation. Considering that it was influenced by the [...]