In his short story, “Leaf by Niggle,” J.R.R. Tolkien provides a much more colourful and comforting purgatorial vision than that afforded by Dante. Niggle, a personification of the Artist, recognizes the landscape as the perfect, living form of which his painting was but a shadow or a foreshadowing. J.R.R. Tolkien expressed a dislike for [...]
In recounting the growth of one of the West’s grandest cultural achievements, James Gardner is an admirably conservative guide to the impressive qualities of the Louvre. Today when Western civilization is under attack as never before, it is a paradox that the encyclopedic art museum, one of the characteristic achievements of this civilization, is [...]
Portraying the souls of the faithful and those of the damned, “The Last Judgement” of Michelangelo serves as a powerful reminder of the theology of grace and of the importance of one’s own volition in accepting and actively cooperating with the grace which God so freely gives to men. The Last Judgement [...]
In the era of scientific advancement, contemplating the sublime, both in nature and art, remains more necessary than ever. Works of art that build a sub-creation on scripture, exploiting the fullness of natural realism inherent in it, attain a very rare sublimity and draw the mind toward God. These waters must be troubled before [...]
Roman death masks—called “imagines”—were actually wax models impressed directly on the face during life, and they bore a remarkable likeness to the person. Displayed during the funerals of the elite, they served as a link between the present and the past and were meant to inspire attendees to patriotic virtue. The recent defacement of [...]
Many details of Edgar Allan Poe’s scientific treatment of the universe in “Eureka” has flaws which we may today see as errors. However, the value of this masterpiece lies primarily in the concise method of fruitful thinking showcased throughout and the broad universal principles of order, beauty, goodness, and creativity which Poe makes intelligible [...]
The poet’s power is a power to disclose, extol, and communicate the sanctity of experience, protecting it from the ordinary disorientation of the quotidian. The poet calls attention to the ordinary patterns of human life, and is a call to contentment, that rarest of achievements. To attribute to poetry such power is to ascribe [...]
Throughout history, cultures have always developed fantastical tales of heroes and gods and monsters and demons. Whether they are tales of the Greek Pantheon, Norse gods, or modern-day superheroes, these tales grasp the imagination and transport the hearer to a different realm full of possibility. The question then arises in my mind: Are these [...]
Although the beauty of visible and audible things presupposes the use of the senses, beauty’s essence is not sensual but spiritual. It does not distract us from God; on the contrary, it elevates our minds to God. Beauty in the Light of the Redemption, by Dietrich von Hildebrand (92 pages, Hildebrand Project, 2019) The [...]
Beauty reconciles opposites: It adheres to objects themselves, and yet it calls to each of us in the depths of our psyche. Only beauty blocks out the outside world and focuses our attention on the work of art. This is, perhaps, its danger. But it is also its power. I will confess that, of [...]
The left has long understood the power of the arts in furthering radical ideas, in a way conservatives have largely failed to grasp in defending theirs. Conservatives with the financial means must increase their support of conservative artists for the sake of a culture in immediate need of the wisdom that a long intellectual, [...]
We live in a world which has in many ways been uglified, and it’s a world that we want to redeem so that we are part of it once again. Beauty is, then, the search for home, for a place where you can be at home with yourself and with others, but in particular where [...]
In two famous paintings of female nudes, we see more than just two differing depictions of the same subject. We see the essential differences between the Traditionalist and Modernist artist: The former looks outward, seeking something higher than himself to contemplate, while the latter looks inward, seeking to assert his own will upon the world. [...]
During the Japanese-American internment of 1942-1946, there arose a style of art that drew from elements and techniques of Western and traditional Japanese forms. Through a closer look at these works of art, Japanese-American internment art can serve to reflect the internees’ cultural, social, and political resilience while also allowing us to study the [...]