It’s October, Halloween is approaching and I am obsessed with Berlioz’s Symphonie fantastique. Blame it on the title and mood of the symphony’s fifth movement: “Dream of a Witches’ Sabbath.” Could any title be more deliciously spooky? It’s this movement, and this symphony, that make classical music people nod in recognition at the sound of Hector Berlioz’s [...]
In Arvo Pärt’s “Fratres” there seem to be all sorts of emotions simmering just below the surface. Dense, big, life-and-death emotions. Ancient spirituality. All of it affects you at such a gut level. It’s majestic. It’s minimalist. Mr. Pärt’s spirituality, his philosophy, is there, tucked invisibly into the music. There is something about going [...]
Falling in love with French composer Gabriel Fauré’s Nocturne No. 4 wasn’t one of those thunderclap experiences. It crept up on me, gradually. I’d been listening to this Fauré Nocturne CD for almost a decade, mostly as I drove, and enjoying the music’s understated elegance and beauty. Then, this past year, something clicked with [...]
If you’re a moviegoer who follows the Oscars, you might have seen Green Book, a 2018 movie about an Italian-American bouncer who chauffeurs an African-American pianist on a performing tour through the deep South in the 1960s. It stars actors Mahershala Ali and Viggo Mortensen, and I can’t say enough good things about it. What drew me, of [...]
Oh, the emotional images Schubert stirs within me. A whiff of my childhood, dusk on a wintery Sunday, when the younger, chilled me has gone inside and Mom’s got a roast cooking in the oven, filling the air with an intoxicating aroma and a sense of security… Tell me if this has ever happened [...]
It’s Halloween, and you’re looking for that perfect, spooky Halloween music that’s a little more sophisticated than “The Monster Mash” and “Thriller” and “Werewolves of London.” Look no further, friends. I’ve done my own hopping around to see what others consider to be their Top 10 classical spooky favorites. My list is a little different; [...]
Maurice Ravel I suppose it’s not all that curious. If you are a concert pianist and your right arm is a casualty in World War I, afterwards you have two options. One: give up your music career and calling, do something inferior and cry into your soup for the rest of your life. Two: [...]
With its driving rhythms, distinct flavors, accessibility, and charm, Aram Khachaturian's piano concerto was an instant success in 1936. Have no doubt, it’s a sizzler. It’s decisive, flamboyant, and arrives and departs in a pyrotechnic dazzle... Aram Khachaturian Nothing in the classical music repertoire says “summertime” more to me than Aram Khachaturian’s Piano Concerto. I [...]
Warning: do not attempt to drive or operate heavy machinery while listening to Rimsky-Korsakov’s Scheherazade for the first time. Said composition is known to have caused feelings of extreme uplift, a dreamlike state, mild disorientation and a disassociation with the mundane. Use with caution, not to exceed ten listens per day, unless ordered by your doctor. Where [...]
The fun thing about really getting to know the violin concerto repertoire is that there are always more treasures to discover… The violin concerto repertoire is so rich and satisfying, I’m embarrassed to admit that, prior to becoming an adult beginner on the violin in 2005, I was only familiar with a few of them. [...]
Franz Schmidt’s lament makes grief beautiful. It elevates it to something irreproachable, like snow on a mountain peak that, when you’re stumbling around in it, stings and chills and makes you lose your footing, but from the distance, oh, the inexpressible beauty… As the story has it, when Hungarian-born twentieth century composer Franz Schmidt received the [...]
There’s something about Frédéric François Chopin that puts him and his music in a category of its own. Born in Poland, a child prodigy on the piano, Chopin trained in Warsaw, and left Poland at age twenty. By twenty-one, he was settled in Paris and quickly became Someone Worth Listening To… I’ve always liked [...]
Back in the late-nineteenth and early-twentieth centuries, a superstition developed in the classical music world that prophesied the Ninth would be a composer’s last symphony. Arnold Schoenberg summed it up in an eloquent fashion, stating that “he who wants to go beyond it must pass away. It seems as if something might be imparted to [...]
The problem with poor Max Bruch was that he was born too late. What he produced is art that seems to give off an invisible radiance, one you can feel on your flushed cheeks, deep within your heart as you listen. This is art that got overlooked because it came just a little too [...]