Terez Rose

About Terez Rose

Terez Rose is a ballet and classical music critic, who blogs regularly on her site, The Classical Girl. Her work has appeared in Crab Orchard Review, Literary Mama, Espresso Fiction, Philadelphia Inquirer, and Milwaukee Journal-Sentinel. Ms. Rose is also the author of Off Balance and Outside the Limelight.

“Green Book” and Chopin’s Stunning Étude

By |2019-02-26T22:37:43-05:00February 23rd, 2019|

https://www.youtube.com/watch?time_continue=6&v=QkZxoko_HC0 If you’re a moviegoer who follows the Oscars, you might have seen Green Book, a 2018 movie about an Italian-American bouncer who chauffeurs an African-American pianist on a performing tour through the deep South in the 1960s. It stars actors Mahershala Ali and Viggo Mortensen, and I can’t say enough good things about it. What drew [...]

Mystery Revealed: Schubert’s Impromptu No. 3 in G-flat

By |2019-01-31T00:20:57-05:00January 31st, 2019|

Oh, the emotional images Schubert stirs within me. A whiff of my childhood, dusk on a wintery Sunday, when the younger, chilled me has gone inside and Mom’s got a roast cooking in the oven, filling the air with an intoxicating aroma and a sense of security… Tell me if this has ever happened [...]

Ten Spooky Classical Music Favorites for Halloween

By |2018-10-30T23:22:08-05:00October 30th, 2018|

It’s Halloween, and you’re looking for that perfect, spooky Halloween music that’s a little more sophisticated than “The Monster Mash” and “Thriller” and “Werewolves of London.” Look no further, friends. I’ve done my own hopping around to see what others consider to be their Top 10 classical spooky favorites. My list is a little different; [...]

Ravel’s Curious Piano Concerto for the Left Hand

By |2018-10-04T23:57:44-05:00October 5th, 2018|

Maurice Ravel I suppose it’s not all that curious. If you are a concert pianist and your right arm is a casualty in World War I, afterwards you have two options. One: give up your music career and calling, do something inferior and cry into your soup for the rest of your life. Two: [...]

Aram Khachaturian’s Sizzling Piano Concerto

By |2018-08-17T14:18:00-05:00August 16th, 2018|

With its driving rhythms, distinct flavors, accessibility, and charm, Aram Khachaturian's piano concerto was an instant success in 1936. Have no doubt, it’s a sizzler. It’s decisive, flamboyant, and arrives and departs in a pyrotechnic dazzle... Aram Khachaturian Nothing in the classical music repertoire says “summertime” more to me than Aram Khachaturian’s Piano Concerto. I [...]

Rimsky-Korsakov’s Magical “Scheherazade”

By |2018-05-30T22:29:55-05:00May 30th, 2018|

Warning: do not attempt to drive or operate heavy machinery while listening to Rimsky-Korsakov’s Scheherazade for the first time. Said composition is known to have caused feelings of extreme uplift, a dreamlike state, mild disorientation and a disassociation with the mundane. Use with caution, not to exceed ten listens per day, unless ordered by your doctor. Where [...]

10 Great Violin Concertos You Must Hear

By |2018-05-20T07:40:39-05:00May 19th, 2018|

The fun thing about really getting to know the violin concerto repertoire is that there are always more treasures to discover… The violin concerto repertoire is so rich and satisfying, I’m embarrassed to admit that, prior to becoming an adult beginner on the violin in 2005, I was only familiar with a few of them. [...]

Requiem for His Daughter: Franz Schmidt’s Lament

By |2018-05-11T01:36:18-05:00May 9th, 2018|

Franz Schmidt’s lament makes grief beautiful. It elevates it to something irreproachable, like snow on a mountain peak that, when you’re stumbling around in it, stings and chills and makes you lose your footing, but from the distance, oh, the inexpressible beauty… As the story has it, when Hungarian-born twentieth century composer Franz Schmidt received the [...]

Chopin for Everyone

By |2018-05-03T09:13:36-05:00May 2nd, 2018|

There’s something about Frédéric François Chopin that puts him and his music in a category of its own. Born in Poland, a child prodigy on the piano, Chopin trained in Warsaw, and left Poland at age twenty. By twenty-one, he was settled in Paris and quickly became Someone Worth Listening To… I’ve always liked [...]

Gustav Mahler and the Curse of the Ninth Symphony

By |2018-04-25T23:40:27-05:00April 25th, 2018|

Back in the late-nineteenth and early-twentieth centuries, a superstition developed in the classical music world that prophesied the Ninth would be a composer’s last symphony. Arnold Schoenberg summed it up in an eloquent fashion, stating that “he who wants to go beyond it must pass away. It seems as if something might be imparted to [...]

Elgar, Enigma, and Easter

By |2019-04-09T10:31:45-05:00April 2nd, 2018|

Easter likely hadn’t been on Edward Elgar’s mind when he wrote his Enigma Variations, yet this wondrous, utterly memorable piece conjures up a rush of powerful spirituality, a sense of Easter Sunday grandeur. It is most decidedly “death has been conquered; arise and go forth” music… While my first choice for classical music on Easter will always be Handel’s Messiah, there [...]

The Exoticism & Euphoria of Debussy’s “Afternoon of a Faun”

By |2018-03-24T22:13:59-05:00March 24th, 2018|

Claude Debussy’s “Afternoon of a Faun” delivers volumes of sensation. Languor, sensuality, euphoria, curiosity, an awareness of the exotic. You are flung back to your own childhood, your adolescence, all awash in new experiences, colors, sensations. For ten fleeting minutes, you let the music cradle you, transport you… When I listen to Debussy’s “Prelude [...]

Haunted by Camille Saint-Saëns’ “Organ Symphony”

By |2019-04-02T15:08:22-05:00March 1st, 2018|

Camille Saint-Saëns’ Symphony No. 3 has so many distinct and wonderful flavors, it just amazes me. And the first movement is so vibrant, unexpected, cinematic. The second movement utterly transports me… Being haunted by music sounds like something I should be writing about in late October, but I think it will still work. And there’s [...]