“The Magic Flute” has been called Mozart’s “Masonic opera,” and so it is. Mozart was a serious Freemason. But the Masonic influence is of secondary importance to the power and precision of Mozart’s music, which, like all great music, is inexhaustible. Every act of listening to this work brings new discoveries. “Feelings are ‘vectors’; for [...]
This is the story of one unique night on which rivals Wolfgang Mozart and Antonio Salieri truly went head-to-head, performing newly composed, short operas back-to-back, at the request of Emperor Joseph himself. The rivalry between Antonio Salieri and Wolfgang Mozart is well known, being the subject of Alexander Pushkin’s play, Nicolai Rimsky-Korsakov’s opera, and most [...]
“Should not church music be mostly for the heart?” —Joseph Martin Kraus The Roman Catholic Mass for the Dead—the Requiem, sometimes called Missa pro Defunctis (or Defuncto) or Messe des Morts—is surely the most dramatic of liturgical forms and has inspired countless composers, from medieval times to the present. What the Czech composer Antonin Dvořák, a devout [...]
Chamber music is sometimes the best work of the best composers, and for that there is no acceptable substitute. When I first heard chamber music, it seemed an acquired taste, and subsequently a taste I acquired. So I will recite some personal history without any illusion that it matters because it was my experience. On [...]
In his lectures about three musical geniuses—Mozart, Beethoven, and Schubert—Dietrich von Hildebrand shows how the integration of music with spiritual and philosophic insight can enrich our musical understanding. Mozart, Beethoven, Schubert, by Dietrich von Hildebrand, trans. John Henry Crosby (109 pages, Hildebrand Project, 2025) When a distinguished Catholic philosopher discourses on three distinguished composers of [...]
Some guys have it and some guys don’t. Wolfgang Amadeus Mozart obviously had it. By age eight he was already writing symphonies you can still hear on the radio. And there is no sign that the Mozart fad will blow over very soon. A couple of years later he was writing operas, which culminated, for [...]
From Modest Mussorgsky's "Songs and Dances of Death" to Oliver Messiaen's "Quartet for the End of Time," here are ten great classical pieces about death and the end of this world. They may or may not provide you comfort. 1. Songs and Dances of Death, by Modest Mussorgsky A song cycle for voice (usually bass [...]
"Too wild and terrible" is what Ludwig van Beethoven is reported to have said about Mozart's famous Requiem. And despite the popularity of this great, unfinished work, the "wild and terrible" side of Mozart has generally been obscured in the public mind, in favor of his seemingly "lighter" works: Eine Kleine Nachtmusik, the overture to [...]
Here are ten glorious pieces of music for Holy Week that will remind you that there is beauty in this world. As a lifelong Catholic, I’ve always taken Holy Week seriously in a personal way, and the reading of “The Passion of the Lord” on Palm Sunday always deeply affects me. You’d think I’d never heard the [...]
Indeed no words can better be used to describe Mozart’s music than “sublime” and “natural.” Beethoven is heroic, tragic—although at the end, he too can be sublime, with the autumnal serenity of a warrior turned contemplative; Bach erects his marvelously ornate cathedrals of sound—and occasionally he too passes into a timeless realm which could be [...]
There is really no “unknown” Mozart these days. For the 225th anniversary of his death in 2016, the Universal record company released the newest of several (!) complete editions of every note Mozart wrote. So, everything we have written by the “miracle which God let be born in Salzburg” is readily available to twenty-first century [...]
This past September, scholars at the Leipzig municipal library announced that they had discovered a previously unknown string trio (for two violins and cello) by the young Wolfgang Amadeus Mozart. The unearthed manuscript was not in the composer's hand but was deemed to be a copy made a decade or so after it was penned. [...]
The characters in Mozart’s “Figaro” are the furthest thing from mere archetypes. Instead, they are as real and as identifiable as the people around us today, for Mozart was interested in human nature itself, and not the ephemeral and artificial distinctions of class. “In my opinion, each number in Figaro is a miracle,” composer Johannes [...]
Mozart was not like us. The question as to why Mozart died so young is always superseded by: How could he have existed at all? How could you ask more of a miracle? In 1991, the bicentennial of Wolfgang Amadeus Mozart’s death was the occasion for massive festivals and grand recording projects, as well as [...]