The 25th of April is the feast day of St. Mark the Evangelist, and this is my sonnet on St. Mark’s Gospel, one of a set of four sonnets on each of the four evangelists. For each of these sonnets I have meditated on the way the traditional association of each of the evangelists with one of the ‘four living creatures’ round the throne helps us to focus on the particular gifts and emphasis of that Gospel writer. Mark is the lion. There is a power, a dynamic, a swiftness of pace in Mark’s Gospel—his favourite word is ‘immediately’!—and that suits the lion. His Gospel starts in the wilderness, and that suits it too.
But the great paradox in Mark is that the Gospel writer who shows us Christ at his most decisive, powerful, startling, and leonine is also the one who shows us how our conquering lion, our true Aslan, deliberately entered into suffering and passion, the great ‘doer’ letting things be done unto him. In this sonnet, I am especially indebted to WH Vanstone’s brilliant reading of this aspect of Mark in his wonderful book, The Stature of Waiting.
For all four ‘Gospel’ sonnets I have also drawn on the visual imagery of the Lindesfarne Gospels, as in the one illustrated above.
This sonnet is drawn from my collection Sounding the Seasons. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
You can hear the poem by clicking on the ‘play’ button below.
A wingèd lion, swift, immediate
Mark is the gospel of the sudden shift
From first to last, from grand to intimate,
From strength to weakness, and from debt to gift,
From a wide deserts haunted emptiness
To a close city’s fervid atmosphere,
From a voice crying in the wilderness
To angels in an empty sepulcher.
And Christ makes the most sudden shift of all;
From swift action as a strong Messiah
Casting the very demons back to hell
To slow pain, and death as a pariah.
We see our Saviour’s life and death unmade
And flee his tomb dumbfounded and afraid.
Republished with gracious permission from Malcolm Guite’s website.
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