You bent to pull your top, your arms so tan.
I watched you from the cliff at quarry cove.
Your bend of neck revealed, I felt like Pan,
his belly in the brush, and then you dove.
Your pointed feet were last to disappear.
Arising with a stroke, you blew out air,
driving through deepest blue, a grace like deer,
your legs like marble quavering, and bare.
And now, you’re up, on rocks made angular
by quarriers a century ago.
Around the curves that make you singular,
you work a towel along your torso’s flow.
My breathe is caught, to watch the liquid sparks
now vanish as you trace yourself in arcs.

The Imaginative Conservative applies the principle of appreciation to the discussion of culture and politics—we approach dialogue with magnanimity rather than with mere civility. Will you help us remain a refreshing oasis in the increasingly contentious arena of modern discourse? Please consider donating now.

The featured image is “The Bathers” (detail) by Paul Gustav Fischer (1860–1934), and is in the public domain, courtesy of Wikimedia Commons.

All comments are moderated and must be civil, concise, and constructive to the conversation. Comments that are critical of an essay may be approved, but comments containing ad hominem criticism of the author will not be published. Also, comments containing web links or block quotations are unlikely to be approved. Keep in mind that essays represent the opinions of the authors and do not necessarily reflect the views of The Imaginative Conservative or its editor or publisher.

Print Friendly, PDF & Email