Ignorance of the great works of music is as bad, for someone who seeks to be educated in Western culture, as ignorance of Dante and Shakespeare in literature, and Plato and Aristotle in philosophy... Today’s offering in our Timeless Essay series affords our readers the opportunity to join Peter Kwasniewski, as he considers the importance [...]
Can an unbeliever, a denier of the faith, produce such music as Beethoven did in his Missa Solemnis? It has long been fashionable in music history textbooks to speak of Beethoven’s Missa Solemnis as a purely artistic statement that, to be blunt, uses the texts of the Catholic Mass as a convenient springboard for musical experimentation and [...]
This summer I taught a week-long music course for high school students. As the week progressed, I brought in samples of music to listen to, pieces by Bach or Beethoven, Mozart or Palestrina, that would illustrate this or that aspect of what we were reading and discussing. Although a few of the students had clearly [...]
Under Archbishop Laud (1589–1645) there was a strong move towards greater ceremonial dignity in the church. As the house of God it was to be fitted out accordingly with the finest of human artistry, and its functions were to be conducted in a spirit of deepest reverence. The liturgy, the music, the sacred vessels, [...]
In our year-long course on music at Wyoming Catholic College, students read and discuss a chapter from Joseph Ratzinger’s book A New Song for the Lord, “The Image of the World and of Human Beings in the Liturgy and Its Expression in Church Music,”[1] one of the best things ever written about church music. Ratzinger [...]
So important is it to have some sort of understanding of how the noble art of music works, and so important is it to become familiar with at least some of the great composers of the Western tradition, that all of the students here at Wyoming Catholic College (where I teach) are required to take [...]