No piece of classical music grips my ballet-dancer’s imagination like Aram Khachaturian’s “Waltz” from his Masquerade suite. Like his Piano Concerto that I wrote about HERE in 2017, it doesn’t start so much as drop the listener smack into a musical extravaganza, where the lines between listener and music have been erased and, oh Lord, I’m inside it and [...]
As an authentic expression of leisure, music should at once please and elevate. As an aid to worship, music offers still more. At its best, it tutors us to feel correctly what faith and reason know to be true. Music can and should unite head with heart. That is what Palestrina and his Mass help [...]
There is little doubt that Dvořák’s "New World Symphony" will be performed across the United States as part of next year’s celebrations to commemorate the 250th anniversary of the Declaration of Independence. Perhaps we might hope and pray that the "Te Deum" that he composed to commemorate the 400th anniversary of the discovery of the [...]
Scored for a cappella choir, John Tavener's "Hymn for the Dormition of the Mother of God" was composed in 1985 as the second part of a pair of Marian devotions. Its text is taken from the Feast of the Dormition (or slumber) of the Mother of God, celebrated in the Eastern Orthodox Church on August [...]
Most “Christian” music is taken from the secular world. People might have nice feelings about Jesus by listening to it, but the secular music was designed to produce certain types of feelings, and why should those warm sentimental feelings or hard emotional feelings be linked with worship? A friend of mine used to quip, “When [...]
I would say that taking idioms or gaining inspiration from past works does not constitute a continuum, i.e. tradition, if the intention is to put their integrity (their beauty) at the service of disintegration (ugliness). A correct term for such taking from the tradition would be vandalism. “Charles,” said Cordelia, “Modern Art is all bosh, [...]
In a normal world, Peteris Vasks would be the most famous composer alive. He writes music for an apocalyptic age, in which culture is coming full circle, providing exactly what the world needs: spirituality, depth, presence, beauty. “I want to nourish the soul, that is what I preach in my works.” —Pēteris Vasks Pēteris [...]
Based on the Biblical tale of the young Israelite woman who cuts off the head of the barbarian invader Holofernes, Antonio Vivaldi’s sole surviving oratorio, "Juditha Triumphans," was written to celebrate the 1716 victory of the Republic of Venice over the Turks. "Juditha triumphans devicta Holofernis barbarie" (Judith triumphant over the barbarians of Holofernes), RV 644, is an oratorio by Antonio Vivaldi, the only [...]
In 1900, Jean Sibelius revised his patriotic tone-poem, “Finlandia,” and its popularity grew in leaps and bounds. Suddenly the world knew about Sibelius, “Finlandia,” and Finnish national pride. Jean Sibelius Jean Sibelius’ tone-poem, Finlandia, wasn’t supposed to be the program headliner that Saturday night at the San Francisco Symphony. The main draw was the Sibelius Violin [...]
Though Handel continues to loom large in the world of classical music, he is valued for a small portion of his tremendous body of work—mainly "Messiah" and a handful of other pieces. But I continue to find fresh gems from this composer who, for all his fame, is not really all that well known. I [...]
In essence, The Imaginative Conservative is a community of philosophers, dedicated to examining, understanding, and enjoying God’s creation. What better anthem for this journal than Austrian composer Franz Joseph Haydn’s remarkable Symphony No. 22 in E flat major, known as the “Philosopher” Symphony? Though the nickname was probably not Haydn’s, it was given to the work [...]
The history of the oratorio proper begins in St. Philip Neri’s oratory chapel, where the story of salvation was brought to life with the best of human art, causing audiences fall in love with their faith through the power of beauty. When I was in the eighth grade and the time came to choose my [...]
Richard Wagner’s story of gods and heroes, of giants and dwarfs, is not a fairy tale. It is addressed to modern people, who have lost the ways of enchantment, and for whom the path to heroism is overgrown. It is a story in which law and love, power and property are all caught up in [...]
"Too wild and terrible" is what Ludwig van Beethoven is reported to have said about Mozart's famous Requiem. And despite the popularity of this great, unfinished work, the "wild and terrible" side of Mozart has generally been obscured in the public mind, in favor of his seemingly "lighter" works: Eine Kleine Nachtmusik, the overture to [...]