This is the story of one unique night on which rivals Wolfgang Mozart and Antonio Salieri truly went head-to-head, performing newly composed, short operas back-to-back, at the request of Emperor Joseph himself. The rivalry between Antonio Salieri and Wolfgang Mozart is well known, being the subject of Alexander Pushkin’s play, Nicolai Rimsky-Korsakov’s opera, and most [...]
The organ is typically associated with bland church music, less favorite arrangements of Christmas carols, and haunted houses. But Mozart himself called it "the king of instruments," and if the daring listener wishes to venture into solo organ music for the first time, then R. J. Stove’s "The Gates of Vienna" is an ideal starting point. The Gates [...]
Forrest McDonald demonstrated that the historian above all must be a pragmatist who looks at the reality of the past as it was, who gets his hands dirty by putting in long hours of research, who makes sense of vast quantities of data, and who then communicates what he has found in an understandable and [...]
There is only one fictional character who embodies the American spirit in its essence and its entirety, and who is real enough that it seems he should have existed: Indiana Jones, the swashbuckling American archaeologist. A people, a civilization defines itself largely through the heroes that it adopts and celebrates. These heroes may be entirely [...]
The popularity of Vivaldi’s “Four Seasons” has paradoxically led us to underestimate the Venetian’s true greatness. Once renowned across Europe, by the early twentieth century Vivaldi was considered a minor composer. Then, several events occurred to re-awaken interest in the music of “The Red Priest.” Inevitably, when one hears the name of Antonio Vivaldi, one [...]
“Should not church music be mostly for the heart?” —Joseph Martin Kraus The Roman Catholic Mass for the Dead—the Requiem, sometimes called Missa pro Defunctis (or Defuncto) or Messe des Morts—is surely the most dramatic of liturgical forms and has inspired countless composers, from medieval times to the present. What the Czech composer Antonin Dvořák, a devout [...]
Every man is his own pope and philosopher-king on the Internet, where our semi-formed and semi-informed opinions are cast as absolutes. Convinced of our perfect knowledge and infallible righteousness, we denounce and demean in harsh, uncharitable terms the arguments of others, and even their very persons. “Minds are conquered not by arms, but by love [...]
In the end, we want D.B. Cooper's true identity to remain a mystery. We want him to continue to "get away with it"—such a brave, courteous, refined outlaw from a simpler era deserves better than to be caught by us postmoderns. On the evening of November 24, 1971—the day before Thanksgiving—a dark-haired man dressed in [...]
Great music pierces the soul… and can sometimes terrify it. Over the centuries, composers, like nearly all artists of every variety, have been fascinated by the subject of death and by the supernatural—the world of witches, goblins, ghosts, and demons. Composers have given us Dances of the Dead, frightful tone poems and songs, scary opera [...]
From Modest Mussorgsky's "Songs and Dances of Death" to Oliver Messiaen's "Quartet for the End of Time," here are ten great classical pieces about death and the end of this world. They may or may not provide you comfort. 1. Songs and Dances of Death, by Modest Mussorgsky A song cycle for voice (usually bass [...]
Western Civilization is undeniably in decline and indeed its very existence is in doubt. Yet these thoughts ought not to drag conservatives down into a morass of defeatism. Though the hour is late, a remnant must run to the barricades and shield itself and whatever is left of Western Civilization from the barbarians at the [...]
It's rare that an author billing his work as a piece of revisionism ends up, seemingly unwittingly, reinforcing the traditional interpretation of his subject. But Charles Leerhsen accomplishes this unusual feat in his biography, "Ty Cobb: A Terrible Beauty." Ty Cobb: A Terrible Beauty by Charles Leerhsen (464 pages, Simon & Schuster, 2015) It's rare [...]
In essence, The Imaginative Conservative is a community of philosophers, dedicated to examining, understanding, and enjoying God’s creation. What better anthem for this journal than Austrian composer Franz Joseph Haydn’s remarkable Symphony No. 22 in E flat major, known as the “Philosopher” Symphony? Though the nickname was probably not Haydn’s, it was given to the work [...]
"Too wild and terrible" is what Ludwig van Beethoven is reported to have said about Mozart's famous Requiem. And despite the popularity of this great, unfinished work, the "wild and terrible" side of Mozart has generally been obscured in the public mind, in favor of his seemingly "lighter" works: Eine Kleine Nachtmusik, the overture to [...]