Joseph Epstein’s life and writing exemplify the ideal essay writer’s tendency to be a humane generalist rather than an academic specialist. Aiming at well-roundedness, the essayist also becomes freed from vogue words and jargon, a bad influence against which Mr. Epstein campaigns vigorously and wittily in “Gallimaufry: A Collection of Essays, Reviews, Bits.” Gallimaufry: [...]
One of the useful things Stephen Schloesser's "Jazz Age Catholicism" does us is to remind us that the church and the world are not hermetically sealed off from one other; things that happen in the church are very often related to what is happening in the world. Jazz Age Catholicism: Mystic Modernism in Postwar Paris, [...]
True culture is a liberation from the ephemeral, a journey toward permanence and value. A cultured life, therefore, consists in more than just piling up facts; it must include reflecting on the meaning of man’s works—especially those works which have stood the test time—and how they fit into the larger scheme of reality. As [...]
The mid-twentieth-century opera, “The Trial at Rouen,” tells the story of the final days of St. Joan of Arc, her imprisonment, and trial for heresy. Composer Norman Dello Joio employs themes of conscience, belief, and spiritual motivation; he makes us think about the consequences of institutional corruption and the power of individuals to rise [...]
The Mass in C was certainly a test piece for Beethoven, extending his composing experience into the sacred sphere where he would rise to glorious heights in the "Missa Solemnis." But it is also a gem in its own right, combining the serene dignity of the old forms of the Mass with the new heightened [...]
In our zeal to articulate how Christianity has shaped civilization, we are apt to neglect the specific role of prayer. The good, the true, and the beautiful fostered by our civilization have been initiated and sustained by prayer. If one does not pray, what measure of human cultivation is one missing? Art and Prayer: [...]
In his short, neglected masterpiece, "Calm Sea and Prosperous Voyage," Beethoven—who himself never traveled by sea nor left continental Europe—created a tone poem that reflects the Romantic awe of storms and the sublimity of God-in-nature. It also reflects, on a miniature scale, Beethoven's own story of suffering and transcendence. Those who have read previous essays [...]
Dealing with the topic of death, Dietrich von Hildebrand’s consoling book “Jaws of Death: Gate of Heaven” shines both in its “dark” and “light” halves, illuminating the eternal duality of human life and helping to reconcile its painful contradictions. Life is not a journey of diminishing returns, ending in darkness and the grave, but [...]
Beethoven's late style was not a total break from what came before. Many things touted as revolutionary are really, when seen in proper perspective, evolutionary. Beethoven’s late period intensifies qualities inherent in all his previous work. It is filled with music that is warm-hearted, impassioned, and of breathtaking beauty. “The music is not pretty or [...]
To maintain sanity and perspective, we must recognize that beauty is a transcendent ideal in which art imperfectly participates, and thus hold beauty above art. The wrong turn is due to a conflation of beauty with art and the related tendency to see art as an end in itself. As conservatives we often undertake [...]
Sir Arthur Bliss created a piece of music that celebrates the life of the senses and the joy of creation, evoking deep cultural memories as well as a personal energy and dynamism born of bitter experience. “A Colour Symphony” stands as the most intellectually and emotionally satisfying attempt to yoke color to music. Many [...]
In the era of scientific advancement, contemplating the sublime, both in nature and art, remains more necessary than ever. Works of art that build a sub-creation on scripture, exploiting the fullness of natural realism inherent in it, attain a very rare sublimity and draw the mind toward God. These waters must be troubled before [...]
Albéric Magnard’s music is a happy amalgam of all that was best in Wagner, Franck, and Debussy. The gentle, nostalgic, and somewhat melancholy reminiscence of the past is a key part of his aesthetic and a clear legacy of his Schola Cantorum training. Yet his music is also progressive, looking forward unmistakably to the [...]
Charles Martin Loeffler’s rise to eminence among composers worldwide signals an American cultural arrival at the turn of the 20th century. In a sense he was a bridge from the Old World to the New. Loeffler brought something unique to our culture, and his colorful and intimate music should not to be forgotten. There [...]