Claude Debussy’s “The Girl with the Flaxen Hair” ranks right up there alongside his “Clair de Lune,” “Beau Soir,” and “Afternoon of a Faun” on my “favorite short classical pieces” list. In spite of their brevity, all of them immediately transport you, taking you to a vivid, sensual, evocative place that, once you’ve returned to the [...]
Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. […]
What hath Shakespeare to do with the politics of regime change? Given the long and unsuccessful history of what we call regime change, from the installment of the Shah over Persia, to the Bay of Pigs, to Libya, one questions the sanity of anyone who routinely calls for “regime change.” Yet long before our modern [...]
T.S. Eliot’s correspondence with Emily Hale was recently opened, having been kept in Princeton archives until fifty years after Miss Hale’s death. Also opened was Eliot’s response to the archives. It seemed that the poet’s ghost had returned for one last lover’s quarrel with the ghost of his first love, over a century after they [...]
One of the most defining aspects of our humanity is love. We are creatures of affectivity made in love for love. It is the recognition of this fact that makes Homer so eternal: his heroes are heroes of love. In a cosmos governed by lust, strife, and war, the loving deeds of our Homeric heroes stand out. [...]
I’m certain it was late March 1975. Or perhaps early April. My certainties are increasingly uncertain with each passing year. Whether late March or early April, I saw her for the first time at a nearby table in the university cafeteria. She was so lovely and animated that I could no longer hear the discussion [...]
Throughout “Paradiso,” Beatrice is Dante’s companion, his light in the darkness, his first fruit guide to Divine Love itself. Dante is transfigured and transformed in Beatrice’s presence and through Beatrice’s wisdom. In this way, she mirrors the typological and sacramental reality of the messiah. Dante sees Beatrice, but hears Love itself in her voice and [...]
Keep climbing, my friends of the future; though the ideal elude you, do not give up on the journey. Others before you have stuck to the path and found their way out of the Cave and into the glorious light of the Beatific Vision. Author’s Introduction: Imagine if Homer, Virgil, Dante, Chaucer, and the other [...]
If family and their funerals remind us of the duties imposed by God and Tradition, they doubly remind us of the gratitude we owe God for putting us into a world with families that not only are not perfect but do not meet our own silly notions of what they should be. The office of [...]
“Here let death’s poetry arise to life, / O Muses sacrosanct whose liege I am! / And let Calliope rise up and play / her sweet accompaniment in the same strain / that pierced the wretched magpies with the truth / of unforgivable presumptuousness.” Thus was Dante’s opening prayer as he entered Purgatory and prepared [...]
That there is much depth to Dante’s “Inferno” is an understatement, and the poet’s descent into the abyss is perplexing at first glance. However, by invoking the muses of poetry and in being guided by Virgil, Dante tips his hand and reveals to the astute reader that the journey into—and through—hell will require the flowering of [...]
Just as we consume the Eucharist at Mass, recognizing the holiness of the act, so some marriages become profound examples and witnesses of holiness. By habit and faith, Charles Williams contended, the serious Christian begins to see all meals as a shadow of the Eucharist and all love as a shadow of Holy Matrimony. A [...]
So much and so little has transpired since I last wrote a year ago. My wife is becoming as changeful and changeless as the sea, and yet I watch her go about her life each day happier, more tolerant, less argumentative, and full of gratitude. It has been over a year since I last wrote about [...]
Antony and Cleopatra is one of the most mature of William Shakespeare’s tragedies. As such, it is arguably one of his finest and deepest works. Pride, love, and the Fall all factor into the play as much as does the contest between temporal politics and eternal love. Antony and Cleopatra are passionate and energetic and [...]