T.S. Eliot’s “The Cocktail Party”: The Language & Doctrine of Atonement
In the years between 1939 and 1949, T.S. Eliot’s task was to enshrine Christian martyrdom and to restore poetic drama. His most popular drama was “The Cocktail Party,” a comedy which develops dramatically into a philosophically darker spiritual trial and wrestles with the theme of atonement. In one of his manifesto letters to William [...]