“Beware the Ides of March!” As it does every year, this March fifteenth affords us the opportunity to contemplate the recurrent patterns of history. Yet what exactly was the pattern exhibited on that infamous day? […]
One thing that is abundantly evident from the demands for the cancellation of Shakespeare in public schools is that none of those demanding his removal from the curriculum have been able to read or understand his work. Had they been able to do so, they would know that Shakespeare’s plays show us relevant, perennial truths. [...]
In the current battle for the classroom between traditional literature and overt propaganda, #DisruptTexts and its allies attack Shakespeare for hate speech. But is Shakespeare promulgating hateful rhetoric? Or is he thinking deeply into the dramatic situation of racial and religious conflict in the Mediterranean world to reveal the human heart in conflict with itself? [...]
In his tragedy “Othello,” Shakespeare censures the age in which King James I renewed the persecution of Catholics in England, with a tale of darkness, told with the doom-laden and crushing weight of the playwright’s own heavy heart. Othello is the first of a triumvirate of tragedies written by Shakespeare during a particularly dark period [...]
As Samuel Taylor Coleridge expresses in his poem “Constancy to an Ideal Object,” we might find in art the most constants, idealized in our creations, which piece together some meaning of truth amid a world of change where it might appear that nothing has meaning. Although this essay will be about Samuel Taylor Coleridge and [...]
“The Tempest” is indubitably the final play that William Shakespeare wrote. Why did Shakespeare, who was still in good health, bow out in such an apparently premature fashion? What might have induced such a decision to leave his career in theatre? Now my charms are all o’erthrown, And what strength I have’s mine own, Which [...]
Perhaps Shakespeare's "Merchant of Venice" is really just a mess. For all his brilliance, the Bard stitched together four different plots, threw it all together, writing for the actors he had on hand, and the result is a hodgepodge of a play. If it is a comedy, then is it simply a comedy of errors? [...]
Marchette Chute’s “Shakespeare of London” is a delight to read. With a fluid narrative, Chute has produced a fascinating wealth of research in a most readable form. Shakespeare of London, by Marchette Chute (397 pages, E.P. Dutton and Company, 1949) It was a classic when it was first published in 1949, but it remains a [...]
There are none so blind as those who can only see themselves. This is the tragedy of narcissism or what the psychologist Paul Vitz has called selfism. The modern narcissist no longer looks at himself in a pool of water, or even in the mirror; he sees himself in countless selfies, the icons of his [...]
Jonathan Bate’s wide-ranging and capacious knowledge of classical antiquity is what used to constitute the core of an education in England. That makes him an excellent guide to the territory he unveils in “How the Classics Made Shakespeare,” as he surveys the manifold ways in which Shakespeare drew upon classical sources. How the Classics Made [...]
In his collection of essays, Soliloquies in England, George Santayana dedicated some pages to a piece titled “Queen Mab” presumably after the enigmatic faery who is mentioned by Mercutio in Romeo and Juliet.[1] The essay turns into an analysis of British literature, which I take to mean that Santayana saw some form of greater representation [...]
What hath Shakespeare to do with the politics of regime change? Given the long and unsuccessful history of what we call regime change, from the installment of the Shah over Persia, to the Bay of Pigs, to Libya, one questions the sanity of anyone who routinely calls for “regime change.” Yet long before our modern [...]
Enter three sisters as thunder and lightning clash above. Their very presence inspires both fear and wonder of the unknown. William Shakespeare’s broad audience of commoners, merchants, and nobility all readily acknowledge their supernatural presence, the stuff of superstition. But what was Shakespeare’s intent for their appearance? What are they? Imagine a smoking cauldron rising [...]
It is said that Shakespeare was not of an age but for all time, but the writers of “All Is True” seem to think that he was not of his age but for ours. Was he an advocate of the bizarre gender agenda with which they are themselves clearly obsessed? Or do the theories defended by [...]